大明宣德青花龙纹碗

明代宣德（公元1426—1435年，明宣宗朱瞻基年号）年间景德镇御窑厂烧造的青花瓷器，在中国陶瓷发展史上具有很重要的地位。它以其古朴，典雅的造型，晶莹艳丽的釉色，多姿多彩的纹饰而闻名于世，与明代其他各朝的青花瓷器相比，其烧制技术达到了最高峰，成为我国瓷器名品之一，其成就被称颂为“开一代未有之奇”。《景德镇陶录》评价宣德瓷器：“诸料悉精，青花最贵。”

During the Ming Dynasty Xuande (1426-1435 AD, Ming Xuanzong Zhu Qiangji year), the blue and white porcelain burned by Jingdezhen Royal Kiln Factory played an important role in the history of Chinese ceramic development. It is famous for its simple, elegant shape, crystal bright glaze and colorful ornaments. Compared with the blue and white porcelain of other dynasties in Ming Dynasty, its firing technology has reached its highest peak and become one of the famous porcelain products in China. Its achievements are praised as "the wonders of the open generation ". "Jingdezhen pottery record" evaluation of Xuande porcelain :" all materials know fine, blue and white flowers are the most expensive ."

明朝宣德官窑青花它以其古朴，典雅的造型，晶莹艳丽的釉色，多姿多彩的纹饰而闻名于世，烧造数量上也是空前的，据《大明会典》记载，宣德八年（1433年），朝廷一次就下达了要景德镇烧造龙凤瓷器四十四万三千五百件的任务。其中青花占大多数，由此可见其烧造规模、数量之大。产品不仅供宫廷日常生活之需，而且也作为商品大量行销海外，以及对国外入贡者的答赠，成为东西文化交流的见证。

Ming Dynasty Xuande official kiln blue and white flowers it is famous for its simple, elegant shape, crystal bright glaze, colorful ornaments, burning quantity is also unprecedented, according to the "Daming ceremony" records, Xuande eight years (1433), the court once issued to Jingdezhen to burn the dragon and Phoenix porcelain 443500 tasks. Among them blue and white flower occupies the majority, this shows its burning scale, the quantity is big. Products not only for the daily life of the court, but also as a large number of commodities sold overseas, as well as foreign tribute to the tribute, become the witness of cultural exchanges between East and West.

口径：21cm 底：9.0cm 高：9.7cm

成书于清代的《南窑笔记》宣窑中讲宣德青花“宣窑一种，极其精雅古朴，用料有浓淡，墨势浑然而庄重，青花有渗青，铁皮锈者”。明王世性《广志绎》中载：“本朝，以宣（宣德）、成（成化）二窑为佳，宣窑以青花胜，成窑以五彩。”明张应文《清秘藏》论窑器中描述“我朝宣庙窑器，质料细厚，隐隐橘皮纹起，冰裂鳝血纹者，几与官、汝窑敌。即暗花者、红花者、青花者、皆发古未有，为一代绝品”。清乾隆年间朱琰《陶说》谈宣德窑“按此明宣窑极盛时也，选料、制样、画器、题款无一不精”。

The book in the Qing Dynasty ," South Kiln Notes "Xuan kiln said Xuande blue and white" a kind of kiln, extremely elegant and simple, with thick and light materials, ink power and solemn, blue and white with green, iron rust ". The Ming Dynasty ," Guang Zhiyi "contained :" This dynasty, to Xuan (Xuande), Cheng (Chenghua) two kilns for the best, Xuan kiln to blue and white, into the kiln to multicolored ." Ming Zhang Yingwen ," Qing secret Tibetan "on the kiln device described" I Xuanmiao kiln device, the material is fine and thick, hidden orange lines, ice-cracked eel blood lines, several with officials, Ru kiln enemy. That is, dark flowers, red flowers, blue and white flowers, all hair has not been, for a generation of products ". During the Qianlong period of Qing Dynasty, Zhu Yan's "Tao Shuo" talked about Xuande Kiln "according to this Ming Xuan Kiln is also very prosperous, material selection, sample making, painting apparatus, title style is all fine ".

这件大明宣德年制款“青花龙纹碗”，藏品高：9.7cm，口径：21cm，底径：9.0cm。藏品通体饰以青花，大口、圈底，胎土精细，釉汁均净，造型工整，凝重浑厚，胎质细腻。龙纹纹饰绘画生动,龙态有兴云播雨之势；碗造型端正，胎壁厚重，青花色调浓艳，苏麻离青料的特点突出，圈足底内青花双圈书“大明宣德年制”六字款。

This Ming Xuande annual "blue and white dragon bowl ", the collection is high :9.7 cm, caliber :21 cm, bottom diameter :9.0 cm. The whole body of the collection is decorated with blue and white flowers, large mouth, ring bottom, fine earth, pure glaze juice, neat shape, heavy and thick, delicate fetal quality. Dragon pattern painting vivid, dragon state has the trend of cloud sowing rain; bowl shape is correct, fetal wall thick, blue and white color thick Yan, Su Ma from the characteristics of green material outstanding, ring plantar blue and white double circle book "Daming Xuande year system" six characters.

此款“青花龙纹碗”周身饰以海水龙纹，碗内底部描绘了姿态不一的海水龙纹图案，碗下部及圈足饰浪花纹图案，造型厚重古朴，青花釉润浓重，是青花瓷器中之代表，亦是明代青花瓷之珍品。碗腹部描绘两条矫健威猛的神龙在苍茫无际的大海中遨游，神龙回首曲体，须发飘扬，四肢伸张，呼之欲出。这体现了宣德龙纹描绘在整个明代最富有生气的特点，龙首威武昂扬，龙嘴高翘，头发长而向上飘起，有双角，龙身舒展修长，矫健勇猛，多见三爪，体现宫廷龙纹的威慑感。

This "blue and white dragon bowl" is decorated with sea water dragon pattern. The bottom of the bowl depicts the sea water dragon pattern with different posture. It is also a treasure of blue and white porcelain in Ming Dynasty. The belly of the bowl depicts two vigorous and powerful dragon roaming in the boundless sea. This reflects the most lively characteristics of Xuande dragon lines described in the whole Ming Dynasty. The dragon head is majestic, the dragon mouth is high, the hair is long and upward, there are double horns, the dragon body is long and slender, vigorous and brave, and the three claws are common.

底款“大明宣德年制”双圈六字

中国是瓷器之国，所以我们中国人包括国外的对古陶瓷收藏的热衷，这也出于对中国传统文化的一种推崇。古代青花瓷是不可复制不可再生的，而且量也是随着岁月的 推移将会越来越少，留下来的都非常珍贵，能遇上珍品的人更是拥有非比寻常的运气和缘分。所以在收藏的人当中有眼光有知识有头脑的人可能在大家还没有意识到 的情况下就开始收藏，最后获得了很大的成功，也使他的投资得到了很大的回报，最终必然会引起更多人的效仿。

China is a country of porcelain, so we Chinese, including foreign countries, are keen on the collection of ancient ceramics, which is also out of a respect for Chinese traditional culture. Ancient blue and white porcelain is not replicable and non-renewable, and the amount will be less and less with the passage of time, leaving are very precious, can meet treasures of people have extraordinary luck and fate. Therefore, among the collectors, the discerning, knowledgeable and intelligent people may begin to collect without everyone realizing it. Finally, they have achieved great success and made his investment a great return. In the end, more people will follow suit.

瓷器本身难以保存，再加上从古代到现在，中国几经风霜的历史动乱，青花存世已经可以说是稀有，这更加吸引了人们对青花瓷的追捧。大明宣德青花瓷因其存世稀少，价格之高，更增添了它的神秘色彩，青花瓷的美丽吸引着一代又一代的追捧者。青花瓷带着它最为传奇的故事，穿越历朝历代留存到现在，是历史留给人类最伟大的艺术财富。

Porcelain itself is difficult to preserve, plus from ancient times to now, China through the historical turmoil of wind and frost, blue and white flowers can be said to be rare, which has attracted people to the pursuit of blue and white porcelain. Daming Xuande blue and white porcelain because of its rare existence, high price, but also added its mysterious color, blue and white porcelain beauty attracted generation after generation of enthusiasts. Blue and white porcelain with its most legendary story, through the past dynasties to the present, history is the greatest artistic wealth left to mankind.